ENGLISH
ELEVENTH GRADE
Module 1 -
Lesson 5
Point of view
Point of view is
the way the author allows you to "see" and "hear" what's going on.
Skillful authors can fix their readers' attention on exactly the detail,
opinion, or emotion the author wants to emphasize by manipulating the
point of view of the story.
There are different types of
point of view:
ü
First-person point of view is in use when a character
narrates the story with I-me-my-mine in his or her speech. The
advantage of this point of view is that you get to hear the thoughts of
the narrator and see the world depicted in the story through his or her
eyes. However, remember that no narrator, like no human being, has
complete self-knowledge or, for that matter, complete knowledge of
anything. Therefore, the reader's role is to go beyond what the narrator
says.
For example,
Harper Lee's To Kill a Mockingbird is told from the point of view
of Scout, a young child. She doesn't grasp the complex racial and
socioeconomic relations of her town — but the reader does, because Scout
gives information that the reader can interpret. Also, Scout's innocence
reminds the reader of a simple, "it's-not-fair" attitude that contrasts
with the rationalizations of other characters.
ü
Second-person
point of view, in which the author uses you and your, is
rare; authors seldom speak directly to the reader. When you encounter
this point of view, pay attention. Why? The author has made a daring
choice, probably with a specific purpose in mind. Most times,
second-person point of view draws the reader into the story, almost
making the reader a participant in the action.
Here's an
example: Jay McInerney's best-selling Bright Lights, Big City was
written in second person to make the experiences and tribulations of the
unnamed main character more personal and intimate for the reader.
ü
Third-person
point of view is that of an outsider looking at the action. The
writer
may choose third-person omniscient, in which the thoughts of
every character are open to the reader, or third-person limited,
in which the reader enters only one character's mind, either throughout
the entire work or in a specific section. Third-person limited differs
from first-person because the author's voice, not the character's voice,
is what you hear in the descriptive passages.
In Virginia
Woolf's wonderful novel Mrs. Dalloway, you're in one character's
mind at a time. You know the title character's thoughts about Peter, the
great love of her youth, for example, and then a few pages later, you
hear Peter's thoughts about Mrs. Dalloway. Fascinating! When you're
reading a third-person selection, either limited or omniscient, you're
watching the story unfold as an outsider. Remember that most writers
choose this point of view.
Point of view
Practicing
exercise
I. Choose from these points of
view: first person, third person omniscient, third person limited
1. From Maniac Magee by Jerry Spinelli
So he turned and started walking north on Hector, right down the middle
of the street, right down the invisible chalk line that divided East End
from West End. Cars beeped at him, drivers hollered, but he never
flinched. The Cobras kept right along with him on their side of the
street. So did a bunch of East Enders on their side. One of them was
Mars Bar. Both sides were calling for him to come over.
Point of view? _________________________________
2. From the Mixed-Up files of Mrs. Basil E. Frankweiler, by E. L.
Konigsburg
Claudia was furious . . . She refused to look at Jamie again and instead
stared at the statue. The sound of footsteps broke the silence and her
concentration. Footsteps from the Italian Renaissance were descending
upon them! The guard was coming down the steps. There was just too much
time before the museum opened on Sundays. They should have been in
hiding already. Here they were out in the open with a light on!
Point of View? _________________________________
3. From The Twenty-One Balloons by William Pene du Bois
It is funny that my trip has ended by being such a fast trip around the
world. I find myself referred to now as one of the speediest travelers
of all times. Speed wasn’t at all what I had in mind when I started out.
On the contrary, if all had gone the way I had hoped, I would still be
happily floating around in my balloon, drifting anywhere the wind cared
to carry me – East, West, North, or South.
Point of View? _________________________________
4. From Number the Stars by Lois Lowry
One of the soldiers, the taller one, moved toward her. Annemarie
recognized him as the one she and Ellen always called, in whispers, “the
Giraffe” because of his height and the long neck that extended from his
stiff collar. He and his partner were always on this corner. He prodded
the corner of her backpack with the stock of his rifle. Annemarie
trembled. “What is in here?” he asked loudly. “Schoolbooks,” she
answered truthfully.
Point of View? _________________________________
5. From Missing May by Cynthia Rylant
The day after May didn’t come to us, Ob didn’t get out of bed. He didn’t
get me up either, and from a bad dream I woke with a start, knowing
things were wrong, knowing that I had missed something vitally
important. Among these, of course, was the school bus. It was Monday,
and OB should have called me out of bed at five-thirty, but he didn’t,
and when I finally woke at seven o’clock, it was too late to set the day
straight.
Point of View? _________________________________
Point of view
Practicing
exercise-Answer key
-
Third person omniscient
-
Third person limited
-
First person
-
Third person limited
-
First person
Point of view
Test
I. Read then choose the best answer:
Understanding Point
of View
By Cindy Grigg
1 Many
times a teacher will ask her students, "Is this story written from the
first person or third person point of view?" The point of view (POV) is
the vantage point or the "angle" from which a story is told.
2 When
a story is written "in the first-person," the narrator, or the person
telling the story, is one of the characters in the story. The narrator
uses the pronouns "I" and "we." A first-person narrator can only tell
what he or she sees, hears, is told, or believes. The reader only knows
what this character is thinking or feeling and can only find out what
other characters think or feel from what the narrator sees. Since the
narrator is within the story, the reader finds things out when the
narrator does. By using a first-person point of view, the reader is
drawn into the story.
3 If
a story is written "in the third-person," the narrator is outside the
story. The narrator uses words like "they," "he," or "she" to describe
the characters. He has no insights into characters' feelings or
thoughts.
4 The
difference between first-person and third-person POV is like the
difference between actually playing baseball and watching someone else
play. A first-person narrator is the person doing the action. A story
about a baseball game told in first-person narrative tells the reader
what one player saw, heard, thought, and felt as he played the game. The
reader will know the pressure the ballplayer felt as he went up to bat.
The reader will know the ballplayer's excitement, fears, and worries. A
third-person POV can only tell you what someone watching a player saw or
heard.
5 An
omniscient narrator (third-person) knows everything and sees everything,
even some things that no character in the story knows or sees. He can
reveal the thoughts of any character. He can describe any event, even
one that none of the characters in the story knows about. He may offer
opinions or judgments about other characters. An example of this
third-person viewpoint is the Lemony Snicket book series. It has
an omniscient narrator.
6 An
objective narrator gives only the facts. He offers no judgments or
opinions. This is sometimes referred to as "the fly on the wall" point
of view. An objective third-person narrator has only one viewpoint. He
doesn't offer opinions about what other characters think or know.
Newspaper articles are usually written with an objective third-person
narrative.
7 A
limited narrator reveals the thoughts of just one character. The story's
events are told as that character sees them. He doesn't know what other
characters think, feel, or know.
8 Is
there a second-person point of view? Yes, but it is not used as often.
When a story is written with a second-person point of view, the narrator
is talking to "you." Self-help books or guidebooks are sometimes written
from the second-person point of view. An example you might know is the
children's book How to Make an Apple Pie and See the World by
Marjorie Priceman. This book is a series of commands: "First get all the
ingredients at the market. Mix them well, bake, and serve." The author
is talking directly to you, telling you what to do. The first chapter of
Winnie the Pooh is also a second-person narrative:
9
"Ah, yes, now I do," I said quickly; and
I hope you do too,
because it is all the explanation you are going to get.
- Winnie the Pooh,
page 2.
10 First-
and third-person viewpoints are often used in movies and video games,
too. The camera's viewpoint can be from either the first-person or the
third-person viewpoint. If a movie is filmed from a third-person POV,
the camera shows a scene from a general viewpoint. If a first-person POV
is used, the camera only shows things from one character's viewpoint.
11 In
some video games or in simulations, a first-person POV is often used.
Some examples are the game Doom and racing and flight simulation
games. A third-person POV of characters is typical of most other games.
Sometimes the player can switch between first-person and third-person
viewpoints at will. This can improve the accuracy of any weapons used in
generally third-person games. An example of this is the game Meta.
12 When
you are writing a story, you need to think about which point of view you
want to tell the story from. If you want to pull your readers into your
story and make them a part of it, the first-person POV might be best. If
you are writing a romantic story, for instance, you might want to tell
just the girl's feelings or just the boy's feelings. But you might
choose to tell it from a third-person POV so that the reader could know
what both characters are thinking and feeling.
13 Choosing
the best POV from which to tell a story is sometimes the hardest part.
When you decide which POV is best, then you have your narrator's
"voice." It will set the tone of the story as well.
Point of view test-Answer Key
1 The
angle from which the story is told
2 First-person
3 Second-person
4 An
omniscient narrator
5 Third-person
objective
6 A
limited narrator
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